Zero Dark Thirty on Super Bowl Sunday

Zero Dark Thirty 2012 Poster © Columbia Pictures | IMP Awards

A friend on Facebook declared: “if you want to know everything wrong in the world, all you have to do is watch the stupid bowl.” Written during the course of the great event, I missed the comment in real time, as I missed the game. But I suspect she is right. And for this reason, I generally stay away, though with some ambivalence.

As a good American boy, I enjoyed playing the game and watching, and the memories of pleasures past linger (including watching games, in the less distant past, with my son, who was without my provocation a fan). Yet, football is more and more clearly brutal, with its special cult of violence becoming increasingly problematic. And the Super Bowl is not just another game; it has specific repulsive dressing. The ads are a spectacle of consumerism and all I hate about capitalism. Even though I begrudgingly offer capitalism two cheers, seeing no practical alternative in our world, I see no reason to see virtue in necessity, and it is off putting to celebrate. Super Bowl Sunday is a media event from which I abstain.

Last night, I followed my Super Bowl tradition, and went to the movies. I finally pushed myself to go see Zero Dark Thirty, with less than ten other people in the audience. I very reluctantly went. Following the debates about the film, I didn’t want to support a work that apparently credited torture for the killing of Osama bin Laden. I expected to be repulsed, not by the gratuitous violence of the film (in football’s spirit). It was the violence of the message that concerned me. Proponents of torture applauded this Hollywood production as the exception that proves the rule of Hollywood’s liberal bias. Opponents of the use of “enhanced interrogation” denounced the film. And esthetes of various sorts, including the film’s director, claimed that as a work of art, one based on our very recent past, Zero Dark Thirty is intentionally without a clear political message, depicting the facts, opening discussion. I decided to decide for myself, and . . .

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The Megapower Elite

Book cover of The Power Elite by C. Wright Mills, 2000 paperback edition © Oxford University Press

“Power is the ultimate aphrodisiac.” Henry Kissinger, 1973

I recently returned to teaching selections from C. Wright Mills’s 1956 book, The Power Elite. The book was written in the midst of unprecedented prosperity in America, what economists Claudia Goldin and Robert Margo have called “the great compression,” when the levels of social inequality that peaked in 1929 and muddled through the next two decades were lowered and stabilized in the 1950s and 60s. It was the “good times” fifties. But Mills saw acutely that something had changed in America; that an unprecedented centralization of power “not before equaled in human history” had also been set in motion as the aftermath of World War II, whose continued development would undermine democratic institutions.

Mills claimed that “the Big Three” institutions—Corporate, Government, and Military—powered up into an interlocking directorate. Though he does not mention them, two coups of that era engineered by the CIA provide ample evidence of what Mills was describing. The overthrow of the Iranian government in 1953, which installed the Shah of Iran, was undertaken to secure British and American oil interests. Corporate oil, political, and military (particularly the burgeoning CIA) institutions realized their common interest in overthrowing the democratically elected regime of Mosaddegh. The long-term consequence was the empowerment of Islamic fundamentalism in the overthrow of the Shah in 1979.

In 1954 the CIA directed the overthrow of the democratically elected government of Guatemala, in order to keep the profits of United Fruit at their maximum. The secretary of defense, John Foster Dulles, his brother Allen Dulles, the head of the CIA, and the UN ambassador, Henry Cabot Lodge, Jr., all had investments in United Fruit, and as David Halberstam states in his book The Fifties: “The national security complex became, in the Eisenhower years, a fast-growing apparatus to allow us to do in secret what we could not do in the open. This was not just an isolated phenomenon but part of something larger going on in Washington—the transition from an isolationist America . . .

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