Some Partial, Preliminary, & Unfashionable Thoughts toward Re-assessing the 2003 Iraq War – Did Anything Go Right, and What Were the Alternatives?

Lately, like a lot of other people, I’ve been mulling over the tenth anniversary of the beginning of the 2003 Iraq war and the flood of retrospective commentary it has generated. Nowadays, almost all discussions of the war are dominated by a hegemonic, almost monolithic, “anti-war” consensus that the war was both a terrible disaster and an obvious mistake. (Not just a mistake, but an obvious and unambiguous mistake, which no intelligent and morally serious person could honestly have supported at the time unless they were bamboozled by the propaganda campaign of the Bush/Cheney/Rumsfeld administration and its lackeys and/or blinded by post-9/11 hysteria.)

There are clearly some good grounds for holding those views (as well as a lot of bad, dishonest, intellectually lazy, and morally evasive ones); and for anyone who supported the war, like me, the past decade has often been a morally harrowing time (or should have been, at least). But I remain convinced that the question was more complicated than that in 2002-2003 and is still more complicated today.

Nor, I would like to believe, do I say that merely to cover my own ass (morally and analytically speaking) with a mealy-mouthed unwillingness to face up honestly to the moral and intellectual issues involved. Back in 2002-2003 I thought (and said quite explicitly) that there were good and bad arguments on both sides of the question (with more bad ones than good ones on both sides), and I think that’s still true now … though any serious discussion would also have to take account of what has actually happened in the past decade. (I could no longer simply repeat all the arguments I made back in 2002-2003 without serious revisions or modifications, but making a full-scale public recantation, as some other one-time supporters of the war have done, wouldn’t be honest in my case either.)

I have been struck, in particular, that the vast bulk of recent discussions expressing the “anti-war” groupthink, which is rarely challenged, are marked by two massive omissions.

=> First, while they properly emphasize the terrible results of the war and its aftermath for Iraqis, for Americans, and for others, they almost never consider the actual and probable costs—human, economic, . . .

Read more: Some Partial, Preliminary, & Unfashionable Thoughts toward Re-assessing the 2003 Iraq War – Did Anything Go Right, and What Were the Alternatives?

“Nine-elevenism” and My Discontents

Installation view of Christo's Red Package (1968) and Barbara Kruger's Untitled (Questions) (1991) in September 11, MoMA PS1, 2011. (writing on flag - blue: "Look for the moment when pride becomes contempt" red: "Who is free to choose? Who is beyond the law? Who is healed? Who is housed? Who speaks? Who is silenced? Who solutes longest? Who prays loudest? Who dies first? Who laughs last? " © Matthew Septimus | MoMA PS1

With mixed feelings I rushed to PS1, to see its September 11 show. The promise was indeed intriguing and somehow relieving: in a lavish shower of commemorative events, PS1 curator Peter Eleey wrote in his statement on the show that “the exhibition considers the ways in which 9/11 has altered how we see and experience the world in its wake.” The public commemorations seemed to be unthinking. Perhaps art would present a rich alternative.

Yet, I went to the show with some trepidation. I’m getting more and more uncomfortable with contemporary art curatorial projects: less for professional reasons, while working with an artist often invited to group shows, more personal reasons, as a viewer. Following Sontag, I might decry interpretation. Yet, I must add an important qualification. Art critics are not the problem. Curators are.

I find contemporary art all too often trapped in labeling, paradigm-itizing and contextualizing; as if the death of universal values art had been addressing for centuries became conclusive with the need of pinning down the reading of art and awarding more or less random collections of artworks under common thematic, paradigmatic labels.

It does not mean that I don’t appreciate interesting juxtapositions of artworks, revealing their unexpected meanings, which have been proposed by some curators of group shows. The issue starts when these juxtapositions are radicalized, with artworks only used as a mere illustration of a curator’s statement. The art curator becoming the artist, placed somewhere between film director and writer, seems to me to be a corrupted idea. I’m sure many curators would disagree with me, and I would like to underline that it doesn’t apply to the profession in general. Rather, I address the scary . . .

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Can I be a Pragmatic Pacifist?

In an earlier post, I reflected on means and ends in politics as this theme related to the awarding of the Nobel Prize to Liu Xiaobo. Those reflections relate to the broader question of whether good ends ever justify undesirable means. Principled pacifists say no.

I remember struggling with this as a young man. Subjected to the draft during the Vietnam War era, being a very early and precocious opponent to the war, I tried to convince myself that I was a pacifist. I read the writings of Gandhi and A.J. Muste. I looked into the pacifist activities of the Fellowship of Reconciliation. Although I realized that making the claim of being a Jewish pacifist would be practically difficult, I wanted to explore possibilities. But in the end, I gave up, because I couldn’t convince myself that I wouldn’t fight against Hitler, and I recognized then and see now that there are many other instances where I cannot oppose military action as a matter of absolute conviction.

I was not an enthusiastic supporter of either the first war in Iraq or the war in Afghanistan, for example. It was not clear to me that a military response to either crisis was the appropriate one. But on the other hand, I couldn’t in good conscience oppose either war. The slogan “No Blood for Oil” rang hollow. America was attacked from bases that were protected and developed in the Taliban’s Afghanistan, and Saddam Hussein was indeed a brutal dictator who worked to create a totalitarian order, as Kanan Makiya, ably demonstrated in his gripping book, The Republic of Fear.

But, on the other hand, means do have a way of defining political action whether or not the ends are justified. The way we have fought the wars, and the way our allies have ruled, have undermined the arguments for the war in Afghanistan. And indeed the way the Gulf War was fought and the lessons that were drawn from the war cast into doubt its initial justification, especially as this was utilized for the George W. Bush’s war . . .

Read more: Can I be a Pragmatic Pacifist?