Police Repression in Italy and the Affective Ecology of Victims’ Families

By Andrea Hajek, March 25th, 2013
Ilaria Cucchi | flickr

“…were it not for our perseverance, for the fact that we turned our anger into the courage to say ‘We will not accept being denied the truth’ – were it not for this, then the stories [of our loss] would just end, they would have ended on that day. And we realize that, as we go on, we are the only power that we have.”

This is how Ilaria Cucchi – the sister of 31-year-old Stefano Cucchi, who died under mysterious circumstances in an Italian prison in 2009 – described the situation of her family and, by extension, of other families of victims of police repression in Italy, in her appearance on a television documentary about her late brother. Remembering requires a memory agent who will “actualize” or “activate” the memory in question, if it is to remain vivid. The Cucchi case demonstrates that in Italy the role of such memory communities has proven essential, considering the low commitment or unwillingness of the State to bring justice to the victims of police repression.

I have studied one such case – the violent death of Francesco Lorusso, on 11 March 1977. Lorusso, a medical student and sympathizer of a left-wing extra-parliamentary group, got involved in a conflict between left-wing and Catholic students which resulted in severe police repression during which Lorusso was shot in the back. The incident provoked an urban upheaval in which Lorusso’s friends and fellow students vented their anger in the city center, resulting in more public order measures. Lorusso’s death thus marked the final stage in the conflict between a newly arisen student movement and the local Communist authorities. The chapter on 1977 was, however, all but closed off, as the police officer who shot Lorusso was absolved on the basis of a disputed public order law, while the numerous requests by Lorusso’s family to open a new investigation remained unanswered.

In my forthcoming book on the public memory of the 1977 incidents, I interpret the family’s role in the process of getting justice in terms of “affective labor.” Post-Marxist philosophers Michael Hardt and Antonio Negri define affective labor . . .

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March 25th, 2013 | Tags: , , , , , , , , , ,

On Un-publics: Former Publics, Future Publics, Almost Publics, Observers and Genealogies

By Daniel Dayan, February 8th, 2013

The Diversity of “Non-Publics”: Former Publics, Future Publics

Publics are far from constituting a monolithic ensemble, an obedient army marching in good order. The nature of their concerns allows defining at least three types of publics. First there are political publics, which could be called following Dewey’s model “issue driven” publics. Political publics are flanked on one side by taste publics or aesthetic publics, which are oriented towards “texts” or “performances.” They are flanked on the other side, by recognition seeking publics for whom the dimension of visibility tends to be a major goal (Dayan 2005, Ehrenberg 2008). “Recognition seeking publics” (such as those of soccer or popular music) use their involvement with games or performances in order to endow themselves with visible identities. They can easily turn into political publics

Aesthetic publics (the reading publics of literature, the active publics of theater, the connoisseur publics of music and the arts) have always been singled out as exemplary by theorists of the public sphere, and by Habermas in particular. Yet, despite this ostensible privilege, aesthetic publics have been often ignored, or analyzed as mere training grounds for political publics. “Salons” were first celebrated, and then turned into antechambers to the streets. Interestingly the publics, which tend to be best studied, are political publics. Aesthetic publics have been often neglected. This is why approaches that pay aesthetic publics more than a lip service, approaches such as those of Goldfarb (2006) or Ikegami (2000) are so important.

Of course, the three types of publics outlined above are ideal types. We know they often overlap in reality. But, besides overlapping or “ morphing ” into each other, they share an important dimension. Publics have careers. They have biographies. They go through different stages, including birth, growth, fatigue, aging, death, and some -times resuscitation. Let us first address moments and ways in which publics fade, disappear, and become “non publics.”

A Matter of Life and Death

First of all, publics can die a natural death. They can become “non publics” because what brought them into life no longer exists or no longer attracts their attention. But we should also consider other, much less consensual possibilities: termination or suicide.

Publics can . . .

Read more: On Un-publics: Former Publics, Future Publics, Almost Publics, Observers and Genealogies

February 8th, 2013 | Tags: , , , , , , , , , , , , , , ,