Woodstock in Poland, 2012

Przystanek Woodstock 2012-2 © Helena Chmielewska-Szlajfer

The recently ended 18th Woodstock Station (Przystanek Woodstock) music festival, held in Poland just across the German border, is an extraordinary event. Organized on over 120 hectares under the banner of peace, love and rock & roll by the country’s possibly most popular charity activist, Jurek Owsiak, the free, open-air festival is a draw for over 500 000 people who come from all over Poland and increasingly from Germany to enjoy the unique event.

In terms of music, there are better festivals to be found. Woodstock Station showcases mostly rock, folk and industrial music bands, which are either still before or already after their prime; but this is only part of what makes the event special. The other is Owsiak himself and his charisma, which constantly attracts different types of people unhappy with “the system,” the political order, social norms and conventional careers. Woodstock Station provides them with a space without checkpoints or metal barriers, but instead offers one where they feel at ease and where they can do whatever they want. And indeed, the place has the feel of youth, punk rock and anarchy.

Yet, what you do find in the chaos is a quite surprising sense of mutual responsibility and a sympathetic awareness of others. During a concert you might need to elbow your way to get close to the stage, but if you feel gloomy, someone will ask if you are OK. The crime rate is ridiculously low: about thirty thefts in three days for half a million people.

Apart from two main stages and tent fields, which make the huge space look something of a favela, you can also find the so-called villages, spaces with big tents organized according to a particular theme. Apart from those organized by the sponsors—a mobile phone service provider, an international beer company and an on-line auction service—where you can buy drinks, exchange plastic bottles for water and charge your phone, there are others such as the religious Hare Krishna, and Catholic Church’s Jesus Station, another one created by the Polish National Bank, and the “Academy of Beautiful Arts,” a space for . . .

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