Friday, February 11th, 2011

Egypt, Squaring the Circle: A View from Poland and South Africa

Crowds in Cairo erupt in jubilation at the news that Mubarak will step down © Suhaib Salem/Reuters | NYTimes.com

As I post this, Mubarak has resigned. The military is in control. Elzbieta Matynia submitted these reflections yesterday, and now they are even more timely. She looked beyond the immediate crisis and imagined the process of successful political transformation, thinking about past experiences, specifically about Roundtables – the form invented in the late twentieth century to facilitate peaceful transitions from dictatorship to democracy. She writes in South Africa looking at Egypt, thinking about South Africa and her native Poland. She presents her position in three acts. -Jeff

Act One: The Meeting on the Square

How many of us, including the tourists to Egypt’s pyramids, were really aware that Egypt has been under a state of emergency for 30 years now? That the rights and freedoms of its citizens, guaranteed in the constitution, were indefinitely suspended, including the freedom of association, freedom of movement, and freedom of expression? (Except for family gatherings it is illegal for more than four people to gather even in private homes.) How many of us knew that censorship was legalized (no freedom of the press) and that tens of thousands have been detained without trial for defying these limitations? That people have lived in fear of the ubiquitous security forces? And that the number of political prisoners in this country of 77 million runs over 30,000…

Just a reminder to those of us who try to make sense of the developments in Egypt, including the recent Day of Rage, and the Day of Departure…

The people who gathered on Tahrir Square saw themselves for the first time as citizens, and indeed the square became their newly constituted public space. For Hannah Arendt such a coming into being of a space of appearance is a prerequisite for the formal constitution of a public realm. In this space, there is an accompanying enthusiasm and joy of discovering one’s own voice, even if interrupted by the attacks launched by undercover police and those who side with the ruling . . .

Read more: Egypt, Squaring the Circle: A View from Poland and South Africa

Thursday, February 10th, 2011

The Art of Dead Labor

Dylan A. T. Miner. Damos Gracias (Wal-Muerto). 2007. Relief print on recycled grocery bag. (Image courtesy of the artist.)

Vince Carducci blogs about art and culture in Detroit at Motown Review of Art. He has written for many publications, including Artforum, Art in America, the Brooklyn Rail, and PopMatters.

The term “agitprop” has a negative connotation among American thinkers in the Western liberal tradition, a residue of the high-culture/mass culture debates of the Cold War era. In his DC post on the Belarus Free Theater, for example, Jeff Goldfarb writes:

“They [the actors] create a free space in a repressive society. They do so not just to make a political point, but a cultural one, creating art, not agitprop.”

Part of the anxiety rests in the hermeneutics of suspicion, the perception that ideology, which agitprop is at the service of, ultimately deals in false consciousness, that it’s a veneer that serves vested interests and thus occludes “true” knowledge. Critical theory awards a privileged position to “art” as resistant to ideology due to its ostensible autonomy. And yet even Theodor W. Adorno, arguably the most mandarin of the Frankfurt School meisters, acknowledges a dual nature for art, characterizing it in Aesthetic Theory as both autonomous object and embedded social fact. (Early on in that famously gnarly tome he writes: “Art perceived strictly aesthetically is art aesthetically misperceived.”)

Clifford Geertz offers a solution to the problem in “Ideology As a Cultural System.” For Geertz, ideology isn’t necessarily deceptive (in the service of what he calls “interest”) or symptomatic (a manifestation of what he calls “strain”) but instead is a semiotic system that uses metaphor to “grasp, formulate, and communicate social realities that elude the tempered language of science” (and I would add formalist aesthetics). From that perspective, what is called agitprop might be less normatively called visual culture, part of a semiotic system in which art is simply one aspect, if a culturally privileged one. I think of this with respect to the work of Dylan Miner, which was on view in Detroit last fall.

An assistant professor in . . .

Read more: The Art of Dead Labor

Wednesday, February 9th, 2011

Obama and Egypt

How does the head of state of the oldest of modern democracies, born of a revolution, approach the uncertainties of this revolutionary moment? Many are quick with criticism of, but also with appreciation for, President Obama’s apparent conservative realism.

Ross Douthat wrote in Monday’s Times: “Obama might have done more to champion human rights and democracy in Egypt before the current crisis broke out, by leavening his Kissinger impression with a touch of Reaganite idealism. But there isn’t much more the administration can do now, because there isn’t any evidence that the Egyptian protesters are ready to actually take power.”

On my side of the political tracks, opinion is different. My friend and colleague, Elzbieta Matynia, posted on her Facebook wall an open letter: “Dear Barack, Dear Mr. President, Why are we still hesitant to join the Egyptians’ cry for their rights and dignity? The longer we wait, the more doubt there is around the world in the sincerity of our commitment to democracy. Why are we failing to appreciate that these determined people are trying hard not to resort to violence? Too often, geopolitics has smothered the hopes of an entire people!”

A more extended application of these questions was developed in a piece by Asli Bali and Aziz Rana, “Supporting democracy in the Middle East requires abandoning a vision of Pax – Americana.” But I wonder about such judgments of the President and the Western leaders. Are these judgments responses to actual policy, or are they responses to the politics of gestures as examined by Daniel Dayan in his post last week?

Gestures that are thought to reveal what is going on in closed negotiations between the authorities and some oppositional figures, but may not actually be representative, may be more significant as expressions in and of themselves, as Dayan suggests. Their appearance is significant. They have a power, while they may not be telling an underlying story.

As President Obama seems to gesture toward human rights, democracy advocates in Egypt and abroad are heartened, while America’s traditional allies in the region . . .

Read more: Obama and Egypt

Tuesday, February 8th, 2011

Revolutionary Failure in Egypt?

Cairo protest © Popo le Chien | Wikimedia Commons

Today, I was planning to present my reflections on the events in Egypt, using the insights of our conversations at DC, but Hazem Kandil, a sociologist from Egypt, sent in his latest thoughts about what is happening there, providing critical insight that I have not seen elsewhere. My thoughts from a distance will wait until tomorrow. -Jeff

If scholarship has failed the Egyptian revolutionaries, they too have failed scholarship. The revolution, as gallant as it may be, has so far benefited little from what theorists of revolutions have to offer. A cursory look at the history of popular revolts suggests the following:

– Popular uprisings eventually subside if demonstrators do not take the initiative and suffice with demanding concessions from the old regime (such as asking the president to step down) because people cannot keep coming out, and state institutions (such as the military), as well as other countries cannot be asked to chose between an established regime and a vague body called “the people.” In revolutions, you cannot stand still; if you do not move forward, you will be pushed backward.

– To transform a popular uprising into a revolutionary situation, demonstrators must create a situation of dual power.

– Dual power requires that demonstrators immediately elect a governing body and charge it with managing everyday life (coordinating neighborhood watches, administering food distribution, negotiating with foreign government, and so on).

– This governing body can then demand the recognition of the people, state institutions (such as the military), and other countries of its legitimacy as the new power.

– This state of polarization between an old fading power and a new rising one is what eventually destroys the existing regime.

As long as demonstrators fail to apply this recipe, the power struggle will come to resemble a chessboard where one side makes all the moves and the other merely blocks its advances. The absence of a strategy for victory transforms a potentially revolutionary situation into a waiting game where the only option revolutionaries have is to keep their fingers crossed and pray for their rivals to lose, . . .

Read more: Revolutionary Failure in Egypt?

Monday, February 7th, 2011

Week in Review: Egypt, Glenn Beck and Democratic Transition

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This has been another eventful week, and for another week I am a bit late in posting the review. Thinking about the “news,” thinking about what is new in our world, I have been mesmerized by the remarkable drama in Egypt, the conclusion of which is far from certain. At DC, we have been trying to make sense of this, with side glances at related problems. I think in fact that the standard ways of understanding these revolutionary times require such glances, because conventional ways of thinking mislead. I am going to address this with a couple of short posts, the first today, the second tomorrow, thinking about the revolutionary moment by reviewing the posts of my colleagues. I will start by reflecting on an apparent comedy and move toward an examination of potential tragedy.

Some of the conventional responses to the events in Egypt would be funny, if they weren’t so serious. The prime example is that of Glenn Beck: “Islam wants a caliphate. Communists want a Communist, new world order. They’ll work together, and they’ll destabilize, because they both want chaos, period.” That this is what he gets out of the complex events in Egypt reveals the power of ideological thinking.

Beck, ever on the lookout for conspiracies and frightening analogies, normally distills a powerful brew. But it seems a bit weak when it comes to a major foreign affair, indeed quite foreign for him and his audience. I suspect that even the confirmed Fox News viewer is put off by Beck’s week long attempt to demonize the obviously well meaning Egyptian activists, who have appeared on our television, computer and mobile screens.

In fact, I wonder what Gary Alan Fine thinks. In his appreciation of Beck, he makes two strong observations, leading to a provocative conclusion: Beck is a talented communicator, expressing popular skepticism about elites who purport to know what is best for the people, better than the people. And he pays intellectuals the complement of taking them seriously. Therefore: “Glenn Beck is an endowed professor for the aggrieved, presenting . . .

Read more: Week in Review: Egypt, Glenn Beck and Democratic Transition

Friday, February 4th, 2011

Political Leadership and Hostile Visibility

Obama place a wreath at the base of the Yongsan War Memorial, U.S Army Garrison Yongsan in Seoul, Korea, Nov. 11, 2010 © Samantha Appleton | Whitehouse.gov

This is Daniel Dayan’s second in a series of posts written in response to the WikiLeaks dump. It analyzes how leadership is practiced in a changing media world, moving from “investigative’ to “ordeal” journalism. I think it provides theoretical clarification of yesterday’s post on “The Politics of Gesture in Peru,” and I think it also can be used to illuminate the discussion of how leaders, particularly President Obama, have responded to the dramatic events in Cairo, which I will address in my next post. -Jeff

From Flower Wreaths to Live Behabitives

Presidential gestures are often boring. Presidents must carry flower wreaths, listen to anthems, hoist flags, light eternal flames. In J.L. Austin’s terms, one could say that these routine tasks enact the “behabitive dimension.” This gestural dimension is steadily growing. It also is changing by becoming less routine, even risky.

Today’s gestures are meant to respond to unexpected situations. They take place in real time. There is nothing routine when Bush responds poorly to Katrina victims, or when Sarkozy calls young people who insult him “scumbags” (racailles). Of course, presidential jobs still consist of what Austin would call “exercitives.” Yet, the “exercitives,” speech acts making decisions such as orders and grants, increasingly give way to a vast array of “behabitives” such as offering condolences, “apologizing,” asking forgiveness, dissociating from, displaying solidarity .

Why the Importance of Behabitives? The Question of Visibility

While at the heart of governmental action, processes of deliberation, moments of decision are not really visible. They only become visible through announcements, or, much later, through their results. Yet the multiplicity and variety of media available allow for an almost continuous visibility of the political personnel.This visibility is expected to consist in presentations of self, which are anticipated, deliberately performed and controlled by those who choose to appear in public.

This visibility also consists in situations where those who “appear in public” lose control over their appearances. Suddenly thrown in the public eye, political actors are submitted . . .

Read more: Political Leadership and Hostile Visibility

Thursday, February 3rd, 2011

Mario Vargas Llosa, The Politics of Gesture in Peru and Beyond

Mario Vargas Llosa

I agree with Daniel Dayan that the general commitment to make visible all things hidden is deeply problematic, as I explored in my initial post on WikiLeaks. But, this doesn’t mean that making previously secret things public is always without merit. Political judgment is at issue. Here, Rafael Narvaez, a sociologist originally from Peru, will consider the issue, as it applies to the situation in his native land, and, more generally, third world dictatorships, drawing upon the writing of Mario Vargas Llosa. -Jeff

After receiving the 2010 Nobel Prize for literature, Mario Vargas Llosa gave an interview with Inger Enkvist at the Swedish Academy. Enkvist begins by asking broad questions pertaining to the role of literature, of fantasy, the humanities, etc. He then asks about one of the key themes in Vargas Llosa’s work.

“In your oeuvre one often finds fanatics, characters that are cynics, politically, and also skeptics. And almost always there is a fracture [in your narrative] separating the world of politics and the world of ethics or morality. Can you comment?”

Vargas Llosa, with his usual nonchalant straight-forwardness, answers:

“I come from a world [Peru] where politics, generally and save exceptions, has been in the hands of the worst kind of people […]; a world that has had a very entrenched history of dictatorships that have been very violent and very corrupt; a world where politics seemed to be the monopoly of cheaters [pícaros], of bandits, of the most violent people. Naturally […] there have also been decent people, idealists; but they have been generally defeated, left in the margins –destroyed, in the end. So it is not at all strange that my oeuvre presents a view into political life in Peru and Latin America [which shows] such tradition of violence, of large-scale corruption, of thuggishness […]. In Latin America politics has generally been a terrible source of violence, of corruption, of backwardness. It would have been absurd and unreal for me to describe such political world as it were a world of generous beings, of idealistic characters who work for the common good [begins to . . .

Read more: Mario Vargas Llosa, The Politics of Gesture in Peru and Beyond

Wednesday, February 2nd, 2011

Beck and Call

Glenn Beck on Time Magazine cover

I am addicted to Glenn Beck. Don’t misunderstand, I do not love Glenn Beck, nor do I sing in his chorus of the righteous. But neither am I a Beck-hater, feeling that he is – as he speaks of mega-billionaire George Soros – a “spooky dude.” Further, I am no Beckaholic (Mr. Beck, a recovering alcoholic, might appreciate this). If I miss a night, don’t look for me on a ledge. If I watch too much, don’t search for me in the gutter. However, I prefer that my day ends with a shot of Beck and bourbon. (In California, my current home base, Beck’s show airs at 11:00 p.m.).

Academics often find themselves in deep shade, hidden from bright public debate. Despite our striving for impact, few pay us mind. We dream of celebrity, but on our own terms, and we worry that the unwashed masses will not understand (lecturing to unwashed students makes this concern more plausible). When academics reach the spotlight, it has sometimes been for plagiarism (Doris Kearns Goodwin), losing control (Henry Louis Gates), or political misdemeanors that suggest that a Ph.D. is no substitute for a heart (Newt Gingrich). Perhaps we should lust for dim obscurity. The attentions of Mr. Beck suggest a certain benefit of anonymity over infamy. Beck pays the academy the uncertain honor of believing that we count for something. He believes our writings can change the world, much as Jesse Helms insisted that contemporary art really, truly mattered enough to be censored. Beck scopes the intellectual barricades to find those he presents as cultural subversives, reporting to his million-man audience about the moral felonies of Edward Bernays, Stuart Chase, Walter Lippmann, and, the most dangerous man in America, Cass Sunstein, professor at Harvard Law School and Administrator of the White House Office of Information and Regulatory Affairs. Pre-Beck, such a list would seem eccentric. Post-Beck, the list seems alternatively mad, malevolent, and revelatory. Despite his biting attacks, Beck is insistent on proclaiming the mantra of non-violence. Gandhi is a hero. But on Beck’s website some responses are not so gentle. To be sure, . . .

Read more: Beck and Call

Tuesday, February 1st, 2011

The Hungarian Shock: The Transition from Democracy?

Viktor Orban © i.telegraph.co.uk

As we are observing the great promise of the events in Egypt, I thought it might be interesting to consider another transformation that is not going so well. Here Andras Bozoki presents his troubling reflections. Bozoki is a Professor in the Political Science Department at the Central European University in Budapest. He is the author of many books on the transformations in Central Europe and the problems and promises of the emerging democracies. When Fidesz, the new ruling party, was a liberal opposition party, Bozoki was its spokesman and campaign strategist. He also served as Hungary’s Minister of Culture in 2005 and 2006. -Jeff

With all of its problems, Hungary after 1989 has been a success story, but now the success is challenged in ways that are very much unexpected. From the happy story of the transition from dictatorship to democracy, there is a looming potential tragedy, a transition from democracy. In the second part of 2010, we Hungarians have been witnessing something that I, for one, never expected.

We grew up in a soft dictatorship which slowly but surely opened up in response to the pressure of civic movements, the increasing weakness of the structure of the party-state and also external pressures. In the 1980s, the post-totalitarian regime slowly devolved, culminating in the dramatic democratic changes of 1989. Although the “negotiated revolution” of 1989 was elite driven, most people happily endorsed the new regime of freedom. They could travel, watch foreign movies, start their own enterprises and speak freely about their lives in public. Free elections and a representative government, a constitutional court, and democratic opposition were all firmly established. The last twenty years were far from being unproblematic, prime examples: a widening gap between the winners and losers of the regime change, between the living standards of the capital city, Budapest, and the rest of the country, and between the life chances of educated classes and the Roma population. But still, what we all experienced was a genuine liberal democracy. Governing parties lost elections. The media aggressively criticized politicians. Democracy was consolidated, and the country successfully joined the European Union.

But then there was . . .

Read more: The Hungarian Shock: The Transition from Democracy?

Monday, January 31st, 2011

DC Week in Review: Egypt, The State of the Union, Between Past and Future

blog portraits 021

It’s been a busy week at DC and in the world, thus a slight delay in this post.

Indeed, last week has been “restlessly eventful,” as Robin Wagner Pacifici might put it. The main event has been in the Arab world, particularly in Egypt. But closer to home, President Obama gave an important State of the Union address. In both cases, we can see that something new is emerging, that tomorrow will be strikingly different from what yesterday was. Change rather than continuity is the storyline.

Obviously, Egypt appears to be more consequential. It would seem that there is real democratic promise and a promise of an end to stagnation, in a country and region with a history of great cultural and political achievements, mostly frustrated in the recent past. The outcome is uncertain, who wins and who loses is unknown, but clearly a page has been turned.

Less dramatically, President Obama for the first time seems to have been understood on his own terms, as a creative centrist, making advances in changing the nature of the center in the United States. Given the power of the United States, this may indeed be eventful.

Egypt and Beyond

I particularly appreciate the post by Hazem Kandil. He points out how conventional ways of understanding politics and history, not only in the media but also in academia, did not anticipate what is now happening before our eyes. I would underscore two aspects of this, which in fact coincide with my last two book projects, The Politics of Small Things and the forthcoming Reinventing Political Culture.

Kandil illuminates the gap between past and future, as Arendt depicted this. All the studies of Egypt as “thoroughly Islamized,” with powerful “mosque networks,” “social welfare circles,” mired by “identity politics,” and informed by and organized around symbols and rituals, suggested that the culture of political culture points in the direction of authoritarian continuity. His note demonstrates how we must consider cultural creativity, along with cultural continuity in political and not only in artistic matters.

Now, look again at the Muslim Brotherhood. Note . . .

Read more: DC Week in Review: Egypt, The State of the Union, Between Past and Future

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