Democratic Development in South Africa? Mamphela Ramphele’s New Party

Mamphela Ramphele ©  World Economic Forum | flickr

Mamphela Ramphele’s new “political platform,” or party-in-making, represents the latest in a series of bids for the substantial number of black voters presumed to be disillusioned with the rule of the African National Congress in South Africa. So far all bids have failed. Many black South Africans are indeed fed up with the ANC. Tens of thousands have joined often violent “service delivery protests” against ANC-run municipalities accused of corruption or neglect. Millions have stayed away from the polls. Yet, relatively few have been willing to vote for opposition parties. The last major new party to try wrest their votes, a breakaway from the ANC called COPE (Congress of the People), secured a respectable 7% at the 2009 general election, but has since descended into a shambles. The best hope for Ramphele’s outfit is that it will scoop up the black African voters poised to desert COPE, yet unwilling to vote for the main opposition party, the Democratic Alliance (DA), because of its white roots and leader.

It is not easy to give an ideological label to Ramphele’s party, provisionally named Agang (“to build” in the Sepedi language). Leftists dismiss it as a capitalist party, and their stance is lent some credence by Ramphele’s recent senior positions in the World Bank and a major mining house, and by her concern to make South African economically productive, competitive and investor-friendly. At the same time she professes concern for “workers and poor people” betrayed by a “new elite,” and her policy portfolio is for now too vague to pigeonhole. Notwithstanding Marxist rhetoric emanating from in and around the ANC, there is not all that much by way of concrete economic policy to tell South Africa’s political parties apart. No significant electoral party calls for a break with capitalism; at the same time, none dare sound like rabid free marketers in a land so conscious of its gigantic inequalities. I expect Agang to meet more established electoral parties on the broad ground of the center-left.

What Ramphele stands for is similar to what . . .

Read more: Democratic Development in South Africa? Mamphela Ramphele’s New Party

Michnik Attacked: The Polish Culture War Escalates

Adam Michnik speaking in Berlin, Germany, Feb. 15, 2012 © Stephan Röhl | Flickr

Late Saturday night, I received an urgent email from Tomek Kitlinski “Bad, disturbing, but important news again,” followed by a brief description of a recent event in Poland and his extended thoughts about its meaning. Here, his report and reflections. -Jeff

February 23, 2013, a lecture by Adam Michnik, the foremost dissident against Communism, author, editor-in-chief of Poland’s leading broadsheet Gazeta Wyborcza and regular contributor to The New York Review of Books, was disrupted by a group of Polish ultranationalists. Michnik is Eastern Europe’s most outstanding public intellectual whose books, articles, and, before 1989, writings from prison have shaped the thinking and acting for freedom in our region. Esprit, erudition and engagement in pro-democracy struggle make him an exceptional social philosopher and activist. As Gazeta reported, on Saturday in the city of Radom a group of young people in balaclavas and masks attempted to disrupt Michnik’s talk and chanted “National Radom! National Radom!” A scuffle erupted. The far-right All Polish Youth militiamen were shouting during the lecture.

The disruption of the Michnik lecture follows a pattern of aggression in Poland and among its neighbors. Poland, Hungary, Bulgaria and Russia are gripped by culture wars, as I have explored here. The Polish cultural war is ongoing.

Recently at the University of Warsaw, neo-Nazis threatened a lecture by the feminist philosopher Magdalena Sroda. Ten years ago in Lublin, while Professor Maria Szyszkowska and I were giving speeches about the lesbian and gay visibility campaign Let Us Be Seen, a pack of skinheads marched in and out of the hall, stamping their boots loudly in an effort to distract us. This pattern of disturbing university events could not be more dangerous. Michnik this week is, once again, a focal point of repressive anger.

While ultranationalists hate Adam Michnik for his message of inclusive democracy and they also loathe feminists, LGBT and poetry, Michnik often goes back to his inspiration and friend, the Nobel Prize winning poet, Czeslaw Milosz, who was the object of nationalist outrage over . . .

Read more: Michnik Attacked: The Polish Culture War Escalates

Overhearing in the Public Sphere: An Introduction

Security icons set © Starserfer | Dreamstime.com

To skip this introduction and go directly to read Daniel Dayan’s In-Depth Analysis, “Overhearing in the Public Sphere,” click here.

Daniel Dayan in today’s “In-Depth” post considers overhearing on a global scale. He investigates a simple formula: overhearing + global media = public crisis. He starts with a little anecdote, a personal experience at an academic conference in Sweden, and uses the anecdote to open an examination of major challenges of our times: differentiating, maintaining and then connecting public spheres, which resist the twin dangers of fragmentation from within, and global confusion. As usual, his is an elegant and provocative inquiry.

I find particularly illuminating his concise definition of the public sphere: “a conversation between a given nation- state and the corresponding civil society, with central media connecting centers and peripheries,” along with his expansive discussion of how such spheres operate. He analyzes how such spheres are de-stabilized, and how they are interrupted, how overhearing and intruding have become a normal in global public life promising a more universal public, but delivering moral spectacles. Reflecting on the case of Gerard Depardieu and his relationship with Vladimir Putin, and on the WikiLeaks dump, Dayan warns of the dangers of irrational spectacle in the world of normalized overhearing and intrusion, and he notes the illuminating transparency of things near and far lead to unintended tragic effects.

And note how Dayan’s opening story presents a concrete compact rendering of his global diagnosis. I will respond to this in my next post.

To read Daniel Dayan’s In-Depth Analysis, “Overhearing in the Public Sphere,” click here.

Overhearing in the Public Sphere

1. Overhearing, intruding, my interview & Goffman

I was once invited to speak at a conference in Sigtuna, near Uppsala, in Sweden. The conference dealt with religious sociology and a few clerics were present. One of them was a famous Danish Imam, Abu Laban. He had ignited what came to be known as the Danish scandal of the Mohammed Cartoons (Favret-Saada 2007). I had exchanged a few words with him and was being interviewed by a Swedish newspaper. Abu Laban was seated nearby. In fact, he listened to the interview. Sometimes he nodded. Sometimes he smiled. I could hardly object to his presence without being rude. But then, the Imam started answering the questions that were put to me.

Although I do not remember how I reacted, what happened on that day illustrated a fundamental distinction established by Erving Goffman, between the “ratified” listeners of a verbal exchange and those who just happen to be there.

Being present and technically able to hear everything that is said does not make you a partner in a conversation. Unless “ratified” as a listener, you are just “overhearing.” An implicit protocol expects overhearers not to listen, since listening would amount to a form of eavesdropping. As to intervening, it clearly establishes that you have been overhearing and constitutes an additional transgression. Intervening takes overhearing one step further. It is, and was in the case of the Imam and me, an intrusion.

I believe that Goffman’s distinction between ratified participants and overhearers can be transposed on a larger scale, concerning those conversations societies hold with themselves under the name of “public sphere.”

2. Destabilized public spheres

Our vision of the public sphere is predicated on the implicit model of a conversation between a given nation- state and the corresponding civil society, with central media connecting centers and peripheries. This geography of centers and peripheries has been submitted to many waves of destabilization. After having been structured for a long time in national terms and dominated by central television organizations, public spheres have grown in a number of directions, most of which involve a post-national dimension. Three such directions are particularly significant.

First, mega television networks offer world audiences vantage points . . .

Read more: Overhearing in the Public Sphere

The Upcoming Italian Elections and the Seamy Side of Satire

Berlusconi as joker ©  rupertalbe | flickr

With the Italian general elections of 24-25 February 2013 around the corner, electoral campaigns are putting the country upside down. Nothing out of the ordinary, though competition among Italian politicians always seems to go a little further than elsewhere in the Western world. Only recently Berlusconi made a “shock” announcement, promising not only to abolish the council tax Mario Monti’s government introduced if his center-right coalition wins the elections, but even to refund Italians for the council tax that has already been paid in 2012. Just this week, a letter – highly reminiscent of an official income revenue document – with details on how to claim the money back was sent to millions of voters. In a more pathetic vein, various political leaders posed before cameras or appeared on TV shows cuddling puppies in an attempt to win over the Italian electorate.

With Italian media being largely compromised by political parties, cooperative companies, media and business magnates and financial strongholds, Italians have remained with only two real outlets for their frustration and disillusionment with contemporary politics and society, the Internet and satire. Blunders, scandals and a wide array of political issues that leak out into the public sphere instantly reach the web, where people vent their anger or have a (bitter) laugh at the guilty party by leaving comments on Twitter or circulating satirical cartoons on Facebook. And then there is satire, a particularly popular means of political criticism and contestation in Italy. Of course it is not new, and has been applied for a long time in the democratic world. Yet, with the various political scandals of the past year, as well as Monti’s harsh austerity policies and rigid attitude, seemingly unconcerned with the disastrous effects of these measures on the lives of many Italians, political satire in Italy is increasingly putting the finger on the sore spots, serving as a sort of mediatized vox populi.

And political satire is increasingly becoming a site of contestation. In mid-February, for example, Maurizio Crozza – best known for the satirical impersonations of politicians during his ten minute sketch on . . .

Read more: The Upcoming Italian Elections and the Seamy Side of Satire

Climate Change and the Art of Protest

Protesters march at the Rally and March Against the Keystone XL Pipeline, Washington D.C., Feb. 17, 2013 © Jo Freeman

These Jo Freeman photos of the Rally and March Against Keystone XL Pipeline in Washington D.C. on Sunday demonstrate “what is to be done” by the left in Obama’s second term.

It is far from clear what Obama’s decision on the pipeline will be. A decision to go ahead would unarguably produce jobs, though for how long is in dispute. It would also likely lessen U.S. dependence on oil from the Middle East and Venezuela. It would certainly strengthen our relations with our major ally and neighbor, Canada. So the preemptive protest against Obama possible decision to support Keystone is well timed.

The attractive faces in the crowd with their creative signs, some witty, some mass produced, make clear that we face a profound problem, potentially critical of a possible decision, but amplifying the most surprising but also sensible points Obama made in his State of the Union Address:

“We can choose to believe that Superstorm Sandy, and the most severe drought in decades, and the worst wildfires some states have ever seen were all just a freak coincidence. Or we can choose to believe in the overwhelming judgment of science — and act before it’s too late.”

The President strengthened the significance and attention paid to this protest possible against himself. He certainly knew this would happen. But the interaction between decision and protest increases the likelihood that the U.S. will take its head out of the sand. We will debate the relative merits of Keystone, whether “carbon free, nuclear free” is possible or even desirable. But Obama will push forward at the very least with executive decisions, using an emerging consensus that “Climate . . .

Read more: Climate Change and the Art of Protest

Teaching Us To Be Americans Again: The DREAMers On Their Long March To Immigration Reform

Mural detail in Silver City, New Mexico © Derek Markham | Flickr

On June 15, 2012, President Barack Obama stunned even the most optimistic of a generation of young immigrants with his words, “it makes no sense to expel talented young people who, for all intents and purposes, are Americans.” Just about this time, a near audible cacophony of “Si, Se Puede!”s echoed from east to west coast.

Much reaction to this announcement of a two-year reprieve of deportation proceedings for children of undocumented parents has–perhaps cynically–centered on the political strategizing behind the president’s decision. But the back story is about the DREAMers. The name derives from the proposed legislation, the Development, Relief, and Education for Alien Minors (DREAM) Act, which has been introduced in Congress for more than a decade, but never passed. How were these young activists able to move a campaign over a single issue (the right for those who were brought into the country without official papers as children to regularize their status) to become the linchpin of a larger debate, that of immigration reform, in a presidential election year?

When I ran across these activists while conducting research with immigrant women over the past several years, they were not yet on the radar of national media or politics, but were already taking dramatic actions on behalf of their cause: marching, picketing, petitioning, video-documenting their stories. If the late sociologist Charles Tilly were still with us, he would most certainly recognize strategies that he had documented across effective social movements. For example, such movements use credible displays of worthiness, unity, numbers, and commitment. How much more worthy than the image of an activist in a graduation mortar board? Than petition signatures from hundreds of respected professors? Than endorsement by leaders of conservative religious denominations? Than echoes of our own American rhetoric: “dreaming”? And how much more commitment than hunger strikes and coming-out parties, at the risk of deportation? Across the past two years, these activists gradually became bolder, staging acts of civic disobedience and public events nationwide.

Immediately after the president’s announcement, their dream went global. As I was sitting in the . . .

Read more: Teaching Us To Be Americans Again: The DREAMers On Their Long March To Immigration Reform

Class Matters: The Not So Hidden Theme of the State of the Union

President Barack Obama delivers the State of the Union address in the House Chamber at the U.S. Capitol in Washington, D.C., Feb. 12, 2013. © Chuck Kennedy | WhiteHouse.gov

I anticipated the State of the Union Address, more or less, correctly, though I underestimated Obama’s forthrightness. He entered softly, calling for bi-partisanship, but he followed up with a pretty big stick, strongly arguing for his agenda, including, most spectacularly, the matter of class and class conflict, daring the Republicans to dissent, ending the speech on a high emotional note on gun violence and the need to have a vote on legislation addressing the problem. Before the speech, I wondered how President Obama would balance assertion of his program with reaching out to Republicans. This was an assertive speech.

The script was elegantly crafted, as usual, and beautifully performed, as well. He embodied his authority, with focused political purpose aimed at the middle class. This got me thinking. As a sociologist, I find public middle class talk confusing, though over the years I have worked to understand the politics. I think last night it became clear, both the politics and the sociology.

Obama is seeking to sustain his new governing coalition, with the Democratic majority in the Senate, and the bi-partisan coalition in the House, although he is working to form the coalition more aggressively than I had expected. He is addressing the House through “the people,” with their middle class identities, aspirations and fears.

In my last post, I observed and then suggested:

“Obama’s recent legislative victories included Republican votes on the fiscal cliff and the debt ceiling. I believe he will talk about the economy in such a way that he strengthens his capacity to draw upon this new governing coalition. He will do it in the name of the middle class and those aspiring to be in the middle class. This is the formulation of Obama for ordinary folk, the popular classes, the great bulk of the demos, the people. In this speech and in others, they are the subjects of change, echoing Lincoln’s Gettysburg Address: government of the middle . . .

Read more: Class Matters: The Not So Hidden Theme of the State of the Union

Moving the Center Left on Issues Foreign and Domestic: Anticipating the State of Union Address

President Barack Obama meets with Cody Keenan, Deputy Director of Speechwriting, left, and Jon Favreau, Director of Speechwriting, in the Oval Office, Feb. 5, 2013. © Pete Souza | WhiteHouse.gov

There will be more prose, less poetry, though President Obama will certainly highlight the themes of his Inaugural Address and his earlier poetic speeches. He will be specific about policy: on immigration, gun violence, climate change, military expenditures and reforms, and the need for a balanced approach to immediate and long-term economic challenges. He will hang tough on the sequestration, calling the Republicans’ bluff, and he will warn of the dangers the U.S. faces abroad, while he defends his foreign policy, including his major accomplishment of ending two disastrous wars (though he won’t call them that). The speech is going to be about jobs and the middle class. This is all expected by the chattering class, and I think Obama will meet expectations. But I also think that there will be more interesting things going on. The President will move forcefully ahead on his major project, moving the center left on issues foreign and domestic. And there are significant signs he is succeeding, see this report from a deep red state.

Look for an opening to Republican moderates. I suspect Obama will not only stake out his positions, but also point to the way that those holding other positions may work with him on contentious issues. This will be most apparent in immigration reform. He will also likely address Republicans concerns about long-term cuts in government spending.

He will highlight the need for a leaner, but as mean, military budget, as he denounces the dangers of the thoughtless cuts in military spending via the sequester. Real cuts in military spending will please his base, including me, but also some more libertarian Republicans, Rand Paul, though not John McCain.

Less pleasing for progressives would be what Obama very well may say about so-called “entitlements.” I am not sure he will do this now, but if not now, when?

He could make clear his priority – control medical and Medicare expenses, reminding us that this is a task . . .

Read more: Moving the Center Left on Issues Foreign and Domestic: Anticipating the State of Union Address

Introduction to “On Un-publics”

Theater waiting for an audience. © Purnima Koli | Wikimedia Commons

To skip this introduction and go directly to Daniel Dayan’s In-Depth Analysis, “On Un-publics: Former Publics, Future Publics, Almost Publics, Observers and Genealogies,” click here.

In today’s “in depth” post, Daniel Dayan examines publics in depth, from different analytic viewpoints, drawing upon the insights of a broad range of thinkers. Dayan considers what comes before and after “publics,” the diversity of types of publics, their relationships, their life histories, how their projects are realized, or not, how they are related to audiences. He analyzes the way publics perform and show, how they watch and are watched. It is an elegant and challenging rumination, valuable, because it clarifies how thinkers who often don’t seem to understand each other are actually talking to each other in a serious way. And I should add that the study of publics is especially important to me because it is my field, and Daniel and I have been talking about it for a long time. This piece advances the conversation.

I was struck by a number of telling observations, one particularly hits close to my intellectual home, related to my research on Polish theater, and my colleague, Eiko Ikegami’s studies of “linked poetry,” in her book Bonds of Civility.

“Aesthetic publics (the reading publics of literature, the active publics of theater, the connoisseur publics of music and the arts) have always been singled out as exemplary by theorists of the public sphere, and by Habermas in particular. Yet, despite this ostensible privilege, aesthetic publics have been often ignored, or analyzed as mere training grounds for political publics. ‘Salons’ were first celebrated, and then turned into antechambers to the streets. Interestingly the publics, which tend to be best studied, are political publics. Aesthetic publics have been often neglected. This is why approaches that pay aesthetic publics more than a lip service, approaches such as those of Goldfarb (2006) or Ikegami (2000) are so important.”

Ikegami and I examine the relationship between art and politics through the analysis of publics. Dayan approves. He notes that aesthetic publics have been an important . . .

Read more: Introduction to “On Un-publics”