By Daniel Dayan, February 8th, 2013 The Diversity of “Non-Publics”: Former Publics, Future Publics
Publics are far from constituting a monolithic ensemble, an obedient army marching in good order. The nature of their concerns allows defining at least three types of publics. First there are political publics, which could be called following Dewey’s model “issue driven” publics. Political publics are flanked on one side by taste publics or aesthetic publics, which are oriented towards “texts” or “performances.” They are flanked on the other side, by recognition seeking publics for whom the dimension of visibility tends to be a major goal (Dayan 2005, Ehrenberg 2008). “Recognition seeking publics” (such as those of soccer or popular music) use their involvement with games or performances in order to endow themselves with visible identities. They can easily turn into political publics
Aesthetic publics (the reading publics of literature, the active publics of theater, the connoisseur publics of music and the arts) have always been singled out as exemplary by theorists of the public sphere, and by Habermas in particular. Yet, despite this ostensible privilege, aesthetic publics have been often ignored, or analyzed as mere training grounds for political publics. “Salons” were first celebrated, and then turned into antechambers to the streets. Interestingly the publics, which tend to be best studied, are political publics. Aesthetic publics have been often neglected. This is why approaches that pay aesthetic publics more than a lip service, approaches such as those of Goldfarb (2006) or Ikegami (2000) are so important.
Of course, the three types of publics outlined above are ideal types. We know they often overlap in reality. But, besides overlapping or “ morphing ” into each other, they share an important dimension. Publics have careers. They have biographies. They go through different stages, including birth, growth, fatigue, aging, death, and some -times resuscitation. Let us first address moments and ways in which publics fade, disappear, and become “non publics.”
A Matter of Life and Death
First of all, publics can die a natural death. They can become “non publics” because what brought them into life no longer exists or no longer attracts their attention. But we should also consider other, much less consensual possibilities: termination or suicide.
Publics can . . .
Read more: On Un-publics: Former Publics, Future Publics, Almost Publics, Observers and Genealogies
By Despina Lalaki, February 6th, 2013 
The economic and political crisis in Greece has escalated, with the rise of the neo Nazi Golden Dawn party and the development of a political movement seeking alternatives to austerity on the radical left, SYRIZA. In the following interview excerpt conducted by Doug Enna Greene of the Boston Occupier, Lalaki offers her understanding of the current situation. -Jeff
DEG: Why do you think Golden Dawn has gained so much support? What measures do you think are necessary to stop them?
DL: Historically when democracies fail, which is followed by disenchantment, political cynicism and disillusionment, a vacuum in created that is often filled by extremist ideologies like that offered by groups such as the Golden Dawn, the Neo-Nazi party that is now member of the Greek Parliament. The GD proclaims an anti-systemic position, provided that they have never been part of what they condemn as the corrupt political system and they pose as defenders of principles such as that of national sovereignty, which has come under assault by the governing bodies of the EU. Suffice it to say that they have no alternative program in place other than expelling all immigrants from the country, the people that they systematically target and accuse for the rising unemployment in Greece while they often unleash assault squads in the streets of Athens, as well as other cities, in order to attack and terrorize individuals or whole immigrant communities.
One cannot hope for any measures to be taken by the Greek government or the police, which most often directly collaborates with the GD. The Nazification of the police at this stage is notorious. Racism is rampant, especially among its lower ranks. We have many examples of cases when they strongly discourage people who have been subjected to attacks from bringing charges against their perpetrators. During antifascist protests, they openly protect the DG and they arrest and prosecute the protesters. In October, fifteen anti-fascist protesters were arrested in Athens during a clash with GD supporters. Following their arrest, they were tortured at the Attica General Police Directorate (GEDA). . . .
Read more: Greece in Crisis: A Recent Interview
By Jeffrey C. Goldfarb, February 4th, 2013 
A friend on Facebook declared: “if you want to know everything wrong in the world, all you have to do is watch the stupid bowl.” Written during the course of the great event, I missed the comment in real time, as I missed the game. But I suspect she is right. And for this reason, I generally stay away, though with some ambivalence.
As a good American boy, I enjoyed playing the game and watching, and the memories of pleasures past linger (including watching games, in the less distant past, with my son, who was without my provocation a fan). Yet, football is more and more clearly brutal, with its special cult of violence becoming increasingly problematic. And the Super Bowl is not just another game; it has specific repulsive dressing. The ads are a spectacle of consumerism and all I hate about capitalism. Even though I begrudgingly offer capitalism two cheers, seeing no practical alternative in our world, I see no reason to see virtue in necessity, and it is off putting to celebrate. Super Bowl Sunday is a media event from which I abstain.
Last night, I followed my Super Bowl tradition, and went to the movies. I finally pushed myself to go see Zero Dark Thirty, with less than ten other people in the audience. I very reluctantly went. Following the debates about the film, I didn’t want to support a work that apparently credited torture for the killing of Osama bin Laden. I expected to be repulsed, not by the gratuitous violence of the film (in football’s spirit). It was the violence of the message that concerned me. Proponents of torture applauded this Hollywood production as the exception that proves the rule of Hollywood’s liberal bias. Opponents of the use of “enhanced interrogation” denounced the film. And esthetes of various sorts, including the film’s director, claimed that as a work of art, one based on our very recent past, Zero Dark Thirty is intentionally without a clear political message, depicting the facts, opening discussion. I decided to decide for myself, and . . .
Read more: Zero Dark Thirty on Super Bowl Sunday
By Jeffrey C. Goldfarb, February 1st, 2013 
Obama’s deeds don’t always match his words. Thus, he is a hypocrite and worse: a corporate stooge, the commander and chief of the prison industrial complex, and a war criminal. This is the sort of judgment one hears from the left. It seems this was the ground of Cornel West’s recent expression of self-righteous anger. And this, I believe, is all the result of a lack of understanding about the relationship between politics as a vocation and the art of protest.
In my last post, I expressed my indignation, my criticism of West and this sort of criticism (not for the first time, and certainly not the last). It is with the same concern that I have regretted the lost opportunities of Occupy Wall Street, which had real prospects to expand its influence, but fled instead, for the most part, into utopian fantasies and irrelevance. In Weber’s terms OWS activists chose completely the ethics of ultimate ends and fled responsibility, the articulation of the dreams over consequential actions. For me personally, the saddest manifestation of this was in the events of Occupy New School and its aftermath. Students and colleagues posturing to express themselves, to reveal their sober judgment of the realistic or their credentials as true radicals had little or nothing to do with the important ideas and actions of OWS, centered on the concerns of the 99% and the call for equality and a decent life for the 99%.
But my hope springs eternal. Perhaps with Obama’s new inauguration the protesters will get it.
A friend on my Facebook page summed up the problem. “It’s really difficult to be on the left of the current White House in the US nowadays.” Apparently hard, I think, because both easy full-throated opposition and full-throated support don’t make sense. Binary opposition is off the table. Struggles for public visibility of political concerns and consequential action are the order of the day. It’s difficult but far from impossible. Politicians will do their jobs, well or poorly, but so will social protesters. . . .
Read more: Guns and the Art of Protest: Thinking about What is to be Done on the Left
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