Obama Wins?

President Obama at the second Presidential debate with Mitt Romney, Oct. 16, 2012 © Scout Tufankjian | Obama for America

Immediately after watching the second Obama – Romney debate, I, along with the majority of the viewers and commentators, concluded that Obama won. But as I collected my thoughts and wrote my initial response, I found that I had actually written a piece that was less about why Obama won, more about why Romney lost. I knew I had to write a follow up.

In the meanwhile, Roy Ben-Shai sent in a very different interpretation, which I thought was important to share. He thought that as the President won the battle of the moment, Barack Obama, the principled political leader who can make a difference, lost. While Romney didn’t win, the empty game of “politics as usual” did. I am not sure that I agree with his judgment, but I do see his point.

The quality of Obama’s rhetoric and argument is one of the four main reasons why I think that Obama has the potential to be a transformational president, which I analyzed fully in Reinventing Political Culture. Obama has actually battled against sound bite and cable news culture, and prevailed. But not last Thursday: Ben-Shai is right. Obama beat Romney not by playing the game of a strikingly different political leader, capable of making serious arguments in eloquent ways, establishing the fact that there is an alternative to the politics of slogans and empty rhetoric, but by beating Romney at his own game, dominating the stage, provoking with quick clipped attacks and defenses. The idealist in me is disappointed, but I must admit only a little.

Tough practical political struggle is necessary and not so evil. Democratic political persuasion can’t replicate the argument in a seminar room or a scientific journal. The rule of the people is not the rule of the professoriate and advanced graduate students, and it’s a good thing, keeping in mind the extreme foolishness of distinguished intellectuals cut off from the daily concerns of most people. Popular common sense helps avoid intellectual betrayals, untied to . . .

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“The Road We’ve Traveled”: A Serious Political Argument

President Barack Obama listens during one in a series of meetings discussing the mission against Osama bin Laden, in the Situation Room of the White House, May 1, 2011. © Pete Souza | WhiteHouse.gov

The new Obama campaign video, “The Road We’ve Traveled,” is a compelling piece of political expression. It’s not art. It’s not news. It’s a form of effective political speech. The Obama campaign calls the video a documentary, and that it is: a documentary advocating a partisan position that is meant to rally supporters, and convince opponents and the undecided.

Partisan Republicans have criticized the video for being propaganda: a serious charge coming from people who often label President Obama, a moderate left of center Democrat, as a socialist, and speak ominously about the end of America as we have known it if the President were to be reelected. Mitt Romney, more lightly, perhaps in fact revealing that he is a moderate, dismissed the video as an infomercial. I understand the Republican objections. They see a political move and are trying to counter it by suggesting it should be dismissed and not watched.

Less understandable is the performance yesterday of CNN talk show host, Piers Morgan, who aggressively criticized Davis Guggenheim, the director of the film, for not balancing its advocacy with any criticisms of the President. This baffles me. Just because the video is the creation of an award winning filmmaker doesn’t mean that his political expression in this work should be measured by the same standards as his art. Guggenheim, as he tried to explain last night in his interview with Morgan, is politically committed and the work on the video is his way of being politically active.

When I go to the movies, read a novel or see an art exhibit, I think it is important to distinguished between art and politics. Works that have noble messages do not necessarily make fine art. As Malgorzata Bakalarz examined in her last post, there is a difference between good and politically important art. On the other hand, and this is central here, it is just as important to not . . .

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