DC Week in Review: Political Imagination, the Definition of the Situation and Fictoids

Jean Baudrillard in 2005 (cropped from original) © Pablosecca | Wikimedia Commons

As a social critic, I am ambivalent about the power of imaginative action in politics. On the one hand, I think that the power of the definition of the situation is a key resource of power for the powerless, the cultural grounding of “the politics of small things.” On the other hand, I worry about myth-making that is independent of factual truth.

On the positive side, there is the definition of the situation: “If men define situations as real, they are real in their consequences.” This relatively simple assertion, the so called Thomas theorem, was first presented in a study of child psychology and behavioral problems by W.I. Thomas and his wife, Dorothy Swain Thomas. Yet, the theorem has very important political implications, going well beyond the area of the Thomases initial concern, moving in a very different direction than the one taken by the field of ethnomethodology, which can be understood as the systematic scholarly discipline of the definition of the situation.

While researching cultural and political alternatives in Poland and beyond in the 1980s and 90s I observed first hand how the theorem, in effect, became the foundational idea of the democratic opposition to the Communist system in Central Europe. The dissident activists acted as if they lived in a free society and created freedom as a result. A decision was made in Poland, in the 70s, by a group of independent intellectuals and activists to secede from the official order and create an alternative public life. People ignored the commands of the Communist Party and associated apart from Party State control, openly publicizing their association. They created alternative publications. They opened the underground by publicizing their names, addresses and phone numbers. They acted freely. They developed ties with workers and others beyond their immediate social circles. And when the regime for its own reasons didn’t arrest them, an alternative public life and an oppositional political force flourished, which ultimately prevailed over the regime.

The powerless can develop power that . . .

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The Weiner Follies: The Personification of Politics

Anthony Weiner in NYC, May 2011 © Tony the Misfit | Flickr

Silly season comes early in Washington, along with the steamy weather. It is just barely June, and we are already watching the meltdown of Congressman Anthony Weiner, an outspoken liberal Queens Democrat and a one-time candidate for Mayor of New York City. This disgusting and delightful episode began innocently enough with the question of whether the Congressman sent a photo of his filled-out jockey shorts to a West coast co-ed. She assured us that she was not offended by such japery. Stranger things have happened, even in the New York Congressional delegation. The episode seemed like a pleasant, if erotically-charged, diversion. As Claude Levi-Strauss pointed out in another vein, it was “good to think.” Now we learn that the Congressman has checked himself into the Eliot Spitzer wing to deal with a whimsical mental illness that the DSM-5 might label “cad-atonia.” Weiner may be needy, but psychiatry is not likely to provide a cure.

At the time I marveled at how Weiner made such a hash of his own defense. If he did Tweet young women, admit it as ill-conceived teasing and move on. Taking seriously Weiner’s (at first) plausible assertion that his Twitter account was hacked, I worried about the prevalence of Candid Camera politics. I spoke of those luscious gotcha moments in which politicians were upended by trickery of which conservative blogger Andrew Breitbart and his associate James O’Keefe of the famous NPR-Arab donor sting have become so expert. In this case my suspicions of Breitbart were unfounded. Despite being an articulate defender of progressive policies, it has become clear that the Congressman was a fully engaged politician.

Here is yet another instance in which the cover-up proved far worse than the crime. Early on Weiner was accused of sharing lewd pictures of himself. “Lewd” seemed to be something of a term of art, although apparently there is a photo that is more explicit in the mix. Still, the original photo of filled out briefs, the basis of the scandal, would hardly qualify as foreplay in . . .

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