Performing Human Rights: Pussy Riot vs. the Pseudo Religious, Homophobic, Misogynists of Eastern Europe

Yekaterina Samutsevich (Pussy Riot) at the Moscow Tagansky District Court  © Denis Bochkarev | Wikimedia Commons

The Pussy Riot trial will go down in the history of injustices as the Oscar Wilde trial of the 21st century. Against the evil powers that be, the Moscow artists acknowledged their inspirers, fellow outcasts: Socrates (this connection to the martyr of philosophy has been noticed by David Remnick in The New Yorker), early feminist, transgender George Sand, and banished by Stalin, carnival researcher, Mikhail Bakhtin. Pussy Riot performs human rights. These women artists attack authoritarianism, misogyny, homophobia In their punk prayer, they protested Putin, the system, discrimination against the second sex, and as they sang, “gay pride exiled in chains to Siberia.” And still many hate them — and because of that they hate them. Why? In Eastern Europe the political class is anti-woman, anti-minority, anti-secular, because our countries have transitioned from false Communism to false Christianity: women, minorities, gays, artists to hell!

A formidable oppositionist movement is gaining strength: the supporters of Pussy Riot who don’t want prejudices to rule their life, demonstrations and shows of solidarity in the region and glocally, indignation of PEN Russia, PEN International, rock stars and the media, petitions (spearheaded in Poland’s leading broadsheet Gazeta Wyborcza by art critic Dorota Jarecka and signed by filmmakers Andrzej Wajda and Agnieszka Holland, curator Anda Rottenberg, Ethical Art professor Krzysztof Wodiczko ). Slovenian and cosmopolitan Slavoj Zizek wrote a letter to Pussy Riot with his characteristic wit: “It may sound crazy, but although I am an atheist, you are in my prayers.”

The brutal sentence on Pussy Riot encapsulates — beyond the headlines — the predicament which women face in Eastern Europe. Women curators in Hungary have been fired, and the world-renowned New School philosopher, Agnes Heller, has also been subject to a witch-hunt. Female artists and cultural operators in Poland have been humiliated. These prejudices are a major stumbling block in the democratic transition — in fact, phobias are destroying our societies. In Russia, women rebels . . .

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Sex, Race, and Advertising

Ad poster for beer saying "Aproach women like you do wild animals, with caution and a soothing voice." © Malgorzata Bakalarz

Sex:

Formally, it’s a pleasant poster. Whites and sandy beiges to recall Karen Blixen stories – the sun, the beach, the endless Africa, the innocent exotic; a successful attempt to cater to our idea of the far away, in a classy, elegant way. Even the slow walk, in which the men are captured as if coming back from work, helps to maintain a relaxed ambiance.

The content, on the contrary, seems to be a masterpiece of offense.

It starts with the exact same troubling “sandy beiges”: colonial cliché of a white man wearing his elegant outfit next to indigenous “exotic-folk” batik skirts and beads (if the men are indeed coming back from a work site, should one ask about division of labor? Better not).

And it goes further, to the main message of the poster, being a quotation of the man on the first plane (the two men turn their heads to him, listening eagerly): “Approach women like you do wild animals, with caution and a soothing voice.”

I can’t stop thinking about Bakhtin and his approach towards “the chain of speech communion” (although I’m not sure if I would like to be chained to the speech visualized on the poster in any way). Aside from his famous “the speaker is not Adam,” indicating that no speech is “innocent” and free of its precedent, he was also pointing out – a father of advertising? – that the speech is created in anticipation of encountering its response (which in his metaphor of chain of communication adds subsequent links to the preceding ones).

So there is no need to discuss a scandal of the actual statement – rather, one should think about the expectations of the response.

Was the indigenous man chosen to make this statement, as he could serve as an authority, given his familiarity to wild animals? Or was he chosen to be easily dismissed, in the presence of civilized white man, who knows (does he?) it is not . . .

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